It’s a surprising approach to colour. It seems almost scientific at first.
And I think that when people first come across it, it throws them a little. Because we’re so used to thinking about colour in very vague and mostly emotional terms.
So when someone starts to wonder what colour things really are, and wants to try to translate those colours into paint, this vagueness obscures something that is, in fact, rather straight forward – if only we can find our way through the fog.