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Belfast Drawing Symposium

September 17, 2014 By: Paul6 Comments

A couple of weeks ago, I was involved in Julie Douglas’ Draw-In in Belfast, a symposium celebrating drawing.

Getting together with artists is always really rewarding, but this was special.

Special because Julie, drawing tutor and the organiser of the event is special; special because all the artists that gave workshops and presentations were special; special to me personally because it was the first time I’ve given a live workshop.

The Artists

There was such a range of approaches represented by the artists involved, and complete acceptance and respect for each other’s ideas and differences. That, also, was special.

Julie Douglas

Julie Douglas – Drawing Courses in Belfast

Julie put the whole thing together, her organisational skills are incredible. She is one of the warmest and most dynamic people you could hope to meet, and a wonderful teacher. She and I think so alike it’s scary. If you’re anywhere near Belfast and are looking for traditional drawing and painting tuition, I strongly recommend you get in touch with Julie.

Julie Douglas Still Life painting
Julie Douglas drawing
Julie at work on a life drawing. I think.

Matt Weigle

http://mattweigle.com/

Matt trained at the Grand Central Atelier in New York and paints beautiful still life and landscapes. His figurative work is also wonderful. As if that wasn’t enough, he is an extremely nice person, both gentle and thoughtful.

Matt taught a week long still life painting workshop. The people who attended produced some really wonderful stuff with his guidance.

Matt Weigle Still Life
Matt Weigle demonstrating his approach to still life painting
Matt Weigle demonstrating his approach to still life painting

Pj Lynch

http://www.pjlynchgallery.com/

PJ Lynch is an award winning Children’s book illustrator from Ireland. His dry humour, warmth and ready smile made the weekend infinitely more enjoyable.

Pj gave a one hour portrait painting demo during which he painted a portrait whilst simultaneously fielding questions from the audience.

PJ Lynch book illustration
PJ Lynch giving a fascinating portrait painting demonstration
PJ Lynch giving a fascinating portrait painting demonstration

Colleen Barry

http://www.colleenbarryart.com/

Colleen is an incredibly accomplished figurative artist. Her work draws its inspiration from the emotionally driven and expressive tradition in classical art, particularly from Michelangelo, who she’s studied extensively. It shows in her beautiful drawings particularly.

Colleen taught a week-long figure drawing workshop after the weekend I was there which I was very sad to miss. Colleen also teaches at the Grand Central Atelier.

Colleen Barry Figure Drawing
Colleen Barry teaching life drawing
Colleen (bottom right) teaching life drawing at the Belfast Draw-In

Peter Cooper

http://petercooperworkshop.com/

Peter is a character animator primarily, and a very accomplished artist with a great knowledge of anatomy which comes out in his fantastic drawings. Before sculpting, he thinks through his ideas in drawings and the strength of form they show reflects his sculpting experience. I’ve long thought the best way to learn to produce convincing form in drawing is to sculpt it first.

Peter's scary beastie sculpture
Peter Cooper sculpting a scary beastie
Peter Cooper developing a creature in from his drawings

Shevaun Doherty

http://botanicalsketches.blogspot.co.uk/

I was only peripherally aware of botanical art before I met Shevaun. She gave a talk on her art and botanical art in general in which her deep love of, and fascination with the natural world came shining through. This quote from her blog is a good example:

“This week, I’ve been busy with a commission, and whilst painting a non-botanical subject has been a pleasant change, I must confess to feeling a pang of longing every time I step outside. The beautiful russets and golds of fallen leaves lie everywhere, and every hedgerow seems festooned with an abundance of berries and fruit – scarlet, jade, crimson and purple.”

Rosehip painting by Shevaun Doherty
Shevaun Doherty giving a talk on botanical art
Shevaun holding her audience spellbound whilst introducing us to the quiet, intimate and intricate art of botanical illustration

What I got up to

Paul Foxton Drawing Workshop

Me discussing drawing whilst looking at a blank page of a sketch pad. Attendees look on askance.

For my part of the weekend, I gave a demonstration and workshop of three of the exercises we do at my Creative Triggers Art Practice Community.

  1. The first is Breathing Lines. This is a meditative drawing exercise designed to get you relaxed and ready for a drawing practice session, whilst at the same time building your attention and focus and encouraging you to become absorbed in the present moment as you draw. You could say it’s a mindfulness exercise. Because it is one.Here’s a video demo of it. This version is with a Chinese brush and ink, but you can also do it with charcoal or pencil.

  2. Value matching. This exercise is designed to stretch the core skill you need to create good values in drawing and painting, in the simplest, lowest pressure way possible.
    Value comparison exercise

    Click here to download a PDF.

  3. Negative space composition. This exercise is all about developing your sensitivity to spacing and proportion so that you can, with practice, make better compositions.By reducing a simple drawing to a negative space design, you will see it more as abstract design and be better able to sense the balance of positive and negative space in the composition.

Drawing and Painting Workshops

Giving a live workshop was one of the most positive experiences I’ve had with art. So much so, that I’ve decided to start offering drawing courses and workshops.

They will be based on the exercises we do at Creative Triggers and will also draw on everything I’ve learned from the last 9 years or so of teaching myself to draw and paint realistically.

If you’re in London, Epsom or Surrey and think a workshop with me might be useful to you, please register your interest

As soon as there’s sufficient interest to justify getting a workshop or a course organised, I’ll let you know.

Posted: 17th September 2014

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About Paul

I'm a (mostly) self-taught artist. I paint realism in oils, mostly still life. I share my work, my evolving process and what knowledge I've gained on my own learning journey here, in the hope that it might help you along on
yours.

Comments

  1. 1

    shevaun doherty says

    September 17, 2014 at 9:27 pm

    Paul, it was an honour and a great pleasure to meet you. I am really surprised to hear that this was your first workshop because you sounded so confident, so assured and so inspiring when you gave your talk. When I popped in the next morning to your workshop, your students were all deeply engrossed and obviously loving the experience. You’re a born teacher. I wish you the very best of luck with the classes, and thank you for the nice words.

    Reply
  2. 2

    Julie Douglas says

    September 17, 2014 at 9:31 pm

    I’d like to point out that the feedback from attendees regarding Paul’s workshop was amazing. One text I got an hour after the first day, from Nisa, said: Gr8 day, thanks for putting it all together, thought Paul Foxton particularly inspiring! Shevaun’s work was beautiful, PJ made it look so easy and am in awe of Colleen!
    So it wasn’t only Paul who had a profound experience, it was everyone. For me, although I was aware that it would be a weekend of Change for all who attended (a change of thinking, and a shift in understanding), it was incredibly moving for me to see so many people affected, at the same time due to the variety and creative generosity of all the artists.

    Thank you for coming Paul.

    Reply
  3. 3

    Paul says

    September 18, 2014 at 10:44 am

    Thank you so much Shevaun. That did wonders for my confidence!

    Reply
  4. 4

    Paul says

    September 18, 2014 at 10:48 am

    That’s true Julie, lots of people were moved by the variety and creative generosity of the students, as you say – and as much if not more by your personal warmth and generosity. And your’e just fun to be around!

    All the credit for the positive feelings that we all took away from that weekend goes to you. Your students are very lucky people.

    Reply
  5. 5

    Helga Parker says

    September 23, 2014 at 3:24 pm

    Thank you Paul for sharing your experience in Belfast. Wish I could have attended. You must love teaching as much as I do and I can just imagine how much you enjoyed this Drawing Symposium.

    Some great artists and I am very familiar with their work. I am an internet explorer and study a lot of artists work.

    Keep doing what you are doing.I love all of it.
    Helga

    Reply
  6. 6

    Paul says

    September 23, 2014 at 7:42 pm

    Thanks Helga, always nice to hear from you 🙂 Hopefully I’ll get to your side of the water one day too…

    Reply

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Hi, I’m Paul

I'm a (mostly) self-taught artist. I paint realism in oils, mostly still life. I share my work, my evolving process and what knowledge I've gained on my own learning journey here, in the hope that it might help you on yours.
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