Learning to See

Inspiration and practical advice for aspiring realist artists

  • Home
  • Workshops
  • The Keys to Colour
  • My Work
  • About
  • Contact me
  • Subscribe

Lambent Rose, the limitations of paint, and the endless search

July 16, 2020 By: Paul7 Comments

I’m often struck by how limited oil paint is.

For a start, it simply can’t replicate the rage of values from light to dark that we see in nature.

Because we paint on flat surfaces, we can’t accurately replicate the light side of a light object and the shadow side of a dark object at the same time.

And that’s not even getting started on colour.

Roses in July, and Embracing the Unexpected

July 13, 2020 By: Paul1 Comment

I was in a real quandry.

I had a beautiful spray of roses that I’d just snipped from the bush in the garden (Paddy’s roses again) but beautiful as they were, they were already beginning to fade.

The pause before beginning a painting is always fraught for me.

Will there be time to paint the flowers before they die?

Is the subject too complicated for me to manage?

What if I really mess this one up by trying to reach too far?

And, I did promise myself a value study today.

Last Day of June (Boscobel), and Spending More Time on the Palette

July 1, 2020 By: Paul3 Comments

When I first started painting – or at least, when I decided that I was going to try to learn properly – I spent the least time I could on the palette.

I wanted to be on the painting as much as possible. I thought that’s where the action was, where a painting succeeded or failed.

But I was wrong. In fact, the opposite is true.

Narcissi and Willow Pattern

May 19, 2020 By: Paul7 Comments

The more I paint, the more I realise the importance of chroma.

I know that, for many people, chroma isn’t really something they consider much as they paint.

Until I dscovered Munsell, I didn’t think about it much either.

But lately, I’ve been giving as much attention to chroma as I have to value. And the more I do that, it seems to me, the better my paintings become.

Daffodils in a Coffee Pot

May 14, 2020 By: Paul2 Comments

This painting was the last one I managed to fit in before daffodil season finished here in the Cotswolds. Just when I was warming up to them.

They were fast becoming a favourite subject, but the countryside around here will yield more subjects as the year progresses. The roses will be here soon!

Dandelions in April

April 22, 2020 By: Paul14 Comments

Who paints dandelions?

I’d never really considered them as a subject for a painting before. In fact, I don’t think I’d ever really looked very closely at them before.

But one of the wonderful things about painting something is the time you have to spend with it.

A Daffodil Painting, and The Colour of Shadows

April 7, 2020 By: Paul16 Comments

Yes, more daffodils!

This piece was painted live over two sessions. I’ve added recordings of the streams below. 

Of course, being on lock-down at the moment means kids at home, and my littlest, who’s six, finds the studio especialy fascinating! He features quite a lot on the first stream.

Daffodils and Willow Pattern

March 11, 2020 By: Paul9 Comments

Daffodils and Willow Pattern, Oil on Panel, 9.5 x 7 inches Currently at Auction I’m beggining to realise that I’ve fallen in love with painting daffodils. It’s partly because they’re such a challenge to paint. Keeping the chroma high and trying to show all the nuances of hue, all the slightly differing yellows, painting the

Read More…

Spring Bouquet, and the link between value and chroma

March 9, 2020 By: Paul8 Comments

The way I’m painting flowers now is a very good example of two things:

1. Painting representationally isn’t painting what you see

(Because usually, you can’t.)

2. How the Munsell big book can help you mix more expressive colour

Daffodils, why yellows are hard, and one way to approach them

March 3, 2020 By: Paul24 Comments

Flowers are hard to paint.

Yellow flowers are particularly difficult.

It’s the shadows.

You see, especially on high chroma flowers, it’s often impossible to get high enough chroma in the shadows. In paint, we lose chroma quicky as we go down the value scale.

  • 1
  • 2
  • 3
  • …
  • 12
  • Next Page »

Hi, I’m Paul

I'm a (mostly) self-taught artist. I paint realism in oils, mostly still life. I share my work, my evolving process and what knowledge I've gained on my own learning journey here, in the hope that it might help you on yours.
Read More…

paul foxton logo