Inspiration and practical advice for aspiring realist artists
These apples came from our local farmers market. Every Friday and Saturday in Stroud, there is a market that has rightly become known as one of the biggest, busiest and best in the UK. It’s certainly busy!
Last week I happened on a stall that sold only apples and apple juice. They were a little surprised that I was rooting through their boxes of apples picking ones that looked less-than-perfect. I had to explain that I was looking for ones that I wanted to paint.
Stouts Hill Apples – oil on panel, 5 x 7 inches The apples are everywhere at the moment. We found these on a walk through the grounds of Stout’s Hill, and old Cotswolds country house that we live next to. I don’t think I’ve ever seen so many apples in one place, and they’re falling
Painting experiments are kind of like scouting missions. You blunder off into the unknown, thrashing around and hoping to find something useful you can bring back. Occasionally, you do. I’ve been searching for a different way to paint flowers lately, especially roses. If you paint them too precisely, they look like they’re made of porcelain.
These roses are from the same bush as yesterday’s painting – a different colour harmony this time. In fact, this painting is really about the colour harmony more than anything else. I think the is the closest I’ve got so far to my idea of how the flake white can be made to represent rose
Oil on panel, 5 x 7 inches. Click here to bid This painting is my first time painting with Natural Pigments Flake White #2. I don’t often get worked up about a specific paint, but this flake white is truly wonderful. The consistency is perfect for sculpting flower petals – and I find that lately
“Pinks from Paddy’s Garden” – oil on panel, 12 by 9 inches. This painting is up for auction, Click here to bid. In the nine months since we sold our house near London and moved out to the countryside we’ve seen the seasons change from late autumn, through winter, spring and now high summer. Each
Seeing is complicated.
I’ve spent more hours than I can count judging colours, trying to match them as closely as I can, learning how to shift them slightly this way or that.
Now, I’m practising combining them in different ways, and my thought process is changing.
Who knows what really goes into our paintings? I’m not sure we do ourselves, completely. I’ve been struggling to work through some ideas for a little while and have produced quite a few paintings recently that moved me closer towards what I was looking for but didn’t come off. All the ideas seemed to coalesce
First painting in my new studio. It was a while coming, and a while finishing too! This painting is up for auction here.
Often I take a long time over putting together the setups for my small paintings. This one originally had other objects involved – at one point a mirror in the background, at another an antique silver spoon, and a collections of bowls – but after a few hours of squinting and looking at the shapes
